Helen George, the talented actress known for her roles in 'Call the Midwife' and the revival of 'The King and I', is bringing her expertise to a new production of the classic Cole Porter musical, 'High Society'. This Belfast-bound stage musical is a delightful escape, offering a blend of jazz, wit, and romance that is particularly relevant in today's uncertain times. George's personal connection to the music, having grown up listening to Ella Fitzgerald and Frank Sinatra, adds a special layer of meaning to her performance as Tracy Lord, a Long Island socialite and divorcée in the 1950s. The show, directed by Rachel Kavanaugh and choreographed by Anthony Van Laast, features a 28-strong cast and a 20-week UK and Ireland tour, following a successful run at the Barbican Theatre. The musical is based on the 1956 film, which itself was inspired by the 1939 stage comedy 'The Philadelphia Story' and its 1940 film adaptation. The story revolves around a wedding in 1951, with Mike Connor, a sharp-eyed reporter played by Freddie Fox, on the hunt for a scandal. Tracy Lord, the central character, is a fascinating figure, as George explains, 'She’s a very interesting character. One of my first questions was 'Why would we care about her?' because on paper she’s got it all. But ultimately it’s a story about human relations and Tracy is trying to control her life in the best way that she can.' The costumes, while adhering to the refined elegance of the era, are less restrictive than one might expect, with George noting, 'I’m still never far away from a corset!' The musical's score, expanded with additional Cole Porter classics, is a highlight, with songs ranging from the light-hearted 'Who Wants to Be a Millionaire?' to the romantic 'True Love'. George believes the show is a much-needed tonic, stating, 'This is exactly the sort of show that we need right now, and I think that theatre really comes into its prime when the world feels uncertain.' Her own journey to the stage has been a fascinating one, starting with ballet, then musical theatre at the Royal Academy of Music, and eventually landing roles in 'Call the Midwife' and 'The King and I'. George's versatility is evident in her ability to transition from period dramas to musicals, and she is grateful for the opportunities she's been given, saying, 'I’ve been very fortunate with the chances that I’ve been given and I feel very lucky, but I’ve worked hard for it.' As 'High Society' tours, George is taking her daughters along, teaching them about her work and the importance of pursuing one's passions. The musical is a testament to the enduring appeal of Cole Porter's music and the power of theatre to provide an escape from the complexities of modern life. With its blend of jazz, romance, and wit, 'High Society' is a must-see for anyone seeking a delightful evening of entertainment.
